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Rather Byrkit is using this multi-universe allegory as a way to show how the actions we do (or don't) make in life can have irrevocable repercussions. To my mind, figuring out this sci-fi anomaly isn't exactly "the point" of the film. Lastly, I've always felt the multi-Em ending is purposely malnourished, meaning there are some gaps in logic that don't have enough concrete information to solve with 100% certainty. Don't forget, it's also entirely plausible that "evil Em" took the sweater off once she got inside, off-camera. The final "cut to black" actually isn't even a cut, though : the power goes out and you can hear constant talking and murmuring through the blackout. Coherence is a gentle film, but you walk away from it with your brain on fire.Your idea #2 seems like quite leap of faith to make, but it's definitely a cool idea.
#MOVIE COHERENCE MOVIE#
It’s an urbane dinner-party movie that turns into something magnificent, terrible, and strange – and yet it never quite stops being an urbane dinner-party movie, never lets up its tone of ironic refinement. But Byrkit’s film is very much its own thing. Its transformation of mundane interactions into something otherworldly actually reminded me of another brilliant, lesser-known sci-fi film from a couple of years ago, Spanish director Nacho Vigalondo’s Extraterrestrial. It’s maybe not as “smart” as Carruth’s film – you don’t need a diagram to figure it out, to the extent that you need to figure it out at all – but it feels more lived in, less antiseptic. It’s a throwaway editing joke – the kind only a director who has you completely in the palm of his hand can make.Ĭoherence’s lo-fi aesthetic will remind some of Shane Carruth’s much-beloved Primer. “I can feel it! It’s like a vortex!” one character yells about something seemingly unrelated, as the film smash-cuts to a few minutes later. But we don’t quite know what, and Byrkit even dares to have fun with this anticipation. Director James Ward Byrkit strikes such a beautiful balance here it feels like a magic act: We get wrapped up in the dinner party itself, but we also know that the comet isn’t just color. The characters in Coherence feel natural, distinct, like people we might actually know. “I’m so glad I’m not high,” someone else sighs when things finally start to get slightly ominous.Īnyway, that’s all I’m saying about the plot. It must be Miller’s Comet!” “I’m living in the moment!” someone exclaims when they discover that all the phones and internet have stopped working.
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They make light of the comet flying overhead, because what else would you do? “This chicken tastes like tuna.
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It’s all held at the witty, cultured, pleasant remove you’d expect from these folks. (Someone’s cell phone has already cracked, right before they arrived at the party.) There’s even talk of historical incidents involving comets, like the Tunguska Event of 1908, which wiped out miles of Siberian forest. There’s some talk of how the passing of “Miller’s Comet” might affect things on Earth – electricity, phone signals, magnetic waves, and even human actions. You sense that for all their smugness, these people wouldn’t mind having their realities shaken up a bit. There are hints of lives unlived, dreams deferred.
#MOVIE COHERENCE TV#
There’s the actor who once had a part on a TV show ( Roswell, hint-hint), but hasn’t done anything since. There’s the ballerina whose pride forced her to miss out on her shot at the big time some years ago. There’s the health nut who likes to talk about her carb cleanse. It’s an unremarkable but worldly collection of people: There are the ex-flames who are now there with their respective others. The idea is this: A group of friends arrive for a dinner party on the eve of a mysterious comet’s passing over Earth. Hate me if you must, but you should still see the movie. By telling you that Coherence is the best science-fiction movie I’ve seen in the last couple of years … I’ve already ruined half the fun of Coherence.